In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, which was used by Athena and Zeus: Both are depicted wearing the gorgoneion as a protective pendant. Among other attributes, it was used by Alexander the Great himself and later by rulers of the Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. It is considered to be one of the most powerful protective images.
Homer refers to the Gorgon on four occasions, each time alluding to the head alone, as if she had no body. The story of Perseus slaying Medusa is well-known, yet the centre of attention has since turned on the immensely apotropaic qualities that her head obtained after the beheading.Prior to the 5th century BCE, Medusa was depicted as particularly ugly, with a protruding tongue, boar tusks, puffy cheeks, her eyeballs staring fixedly on the viewer and the snakes twisting all around her.
The direct frontal stare, especially expressing violent aggression, was highly unusual in ancient Greek art. (The common depiction of the evil eye on 6th century drinking vessels, and particularly, eye-cups, like Gorgoneia, are assumed apotropaics.) In some instances, what sometimes appears as a beard (probably standing for stylized hair or streaks of blood) was appended to her chin, making her appear as an orgiastic deity akin to Dionysus.
Gorgoneia that decorate the shields of warriors on mid-5th century Greek vases are considerably less grotesque and menacing. By that time, the Gorgon had lost her tusks and the snakes were rather stylized. The Hellenistic marble known as the Medusa Rondanini illustrates the Gorgon's eventual transformation into a beautiful woman.
Gorgoneia appear frequently in Greek art at the turn of the 8th century BCE. One of the earliest representations is on an electrum stater discovered during excavations at Parium. Other early 8th-century examples were found at Tiryns. Going further back into history, there is a similar image from the Knossos palace, datable to the 15th century BCE. Marija Gimbutas even argues that "the Gorgon extends back to at least 6,000 BCE, as a ceramic mask from the Sesklo culture illustrates", and in her book, Language of the Goddess, she also identifies the prototype of the Gorgoneion in Neolithic art motifs, especially in anthropomorphic vases and terracotta masks inlaid with gold.
In the 6th century, gorgoneia of a canonical "lion mask type" were ubiquitous on Greek temples, especially in and around Corinth. Pedimental gorgoneia were common in Sicily; probably the earliest occurrence being in the Temple of Apollo in Syracuse. Around 500 BCE, they ceased to be used for the decoration of monumental buildings, but were still shown on antefixes of smaller structures throughout the next century.
Apart from temples, the Gorgon imagery is present on garments, dishes, weapons, and coins found across the Mediterranean region from Etruria to the Black Sea coast. The Gorgon coins were struck in 37 cities, making her image on coins second in numismatic ubiquity only to several principal Olympian Gods and Goddesses. On mosaic floors, the Gorgoneion usually was depicted next to the threshold, as if guarding it from hostile intruders. On Attic kilns, the gorgoneion over the kiln door protected from mishaps.
SOURCE Wikipedia
No comments:
Post a Comment