Thursday 12 December 2019

AGATHOCLES OF BACTRIA


Agathocles "the Just" was a Greek king, who reigned  around 190 and 180 BCE. He might have been a son of Demetrius and one of his sub-kings in charge of the Paropamisadae between Bactria and India. In that case, he was a grandson of Euthydemus, whom he qualified as "God-King" on his coins.

Agathocles was contemporary with or a successor of King Pantaleon. He seems to have been attacked and killed by the usurper Eucratides, who took control of the Greco-Bactrian territory. Little is known about him, apart from his extensive coinage.



Pedigree coinage
Agathocles issued a series of "pedigree" dynastic coins, probably with the intent to advertize his lineage and legitimize his rule, linking himself to Alexander the Great, a Seleucid king Antiochus (possibly Antiochus II), the founder of the Greco-Bactrian kingdom Diodotus and his son Diodotus II, Euthydemus,Pantaleon, and Demetrius.

The pedigree coinage has been seen as a token of his ancestry, but a critical view might be considered. All the associations provide a contradictory image. The Euthydemid kings (Demetrius and Euthydemus) are not known to be related to Diodotus - in fact, Euthydemus I overthrew Diodotus II. The Seleucids were enemies of the Euthydemids as well - king Antiochus III had besieged Bactra for almost two years before claiming victory over Euthydemus I. It seems hard to believe that a king who had experienced this as a boy would have found it suitable to mint coins celebrating "Antiochos the Victorious" as the coins read.

Finally, the association with Alexander was a standard move for usurpers in the Hellenistic world, such as the pseudo-Seleucids Alexander Balas and the Syrian general Diodotus Tryphon.


Bilingual coinage
At the same time, Agathocles issued an intriguing range of bilingual coinage, displaying what seems to be Buddhist as well as Hinduist symbolism. The coins, manufactured according to the Indian standard, using either Brahmi, Greek or Kharoshthi (a first in the Greek world), and displaying symbols of the various faiths in India, tend to indicate a considerable willingness to accommodate local languages and beliefs, to an extent unseen in subsequent Indo-Greek kings. They may be indicative of the considerable efforts of the first Indo-Greek kings to secure support from Indian populations and avoid being perceived as invaders, efforts which may have subsided once the Indo-Greek kingdoms were more securely in place.

Buddhist coinage

The Buddhist coinage of Agathocles is in the Indian standard (square or round copper coins) and depicts Buddhist symbols such as the stupa, the "tree in railing", or the lion. These coins sometimes use Brahmi, and sometimes Kharoshthi, whether later Indo-Greek kings only used Kharoshthi.
 Lakshmi appears in several of these coins, a Goddess of abundance and fortune for Hindus and early Buddhists.

These seem to be the first known representations of Vedic deities on coins, and they display early Avatars of Vishnu: Balarama-Sankarshana with attributes consisting of the Gada mace and the plow, and Vasudeva-Krishna with the Vishnu attributes of the Shankha (a pear-shaped case or conch) and the Sudarshana Chakra wheel. According to Bopearachchi, the headdress is actually a misrepresentation of a shaft with a half-moon parasol on top (chattra), as seen in later statues of Bodhisattvas in Mathura. It is therefore thought that sculptures or images, predating the coins but now lost, served as models to the engravers.

The frontal pose of these deities is totally uncharacteristic of the general depiction of Gods on Greek coins, who are generally shown in three-quarter postures. The sideways disposition of the feet is also characteristic of early India sculptures, as seen in the stupas of Bharhut or Sanchi. 
The Hinduist coins 
The Hinduist coins of Agathocles are few but spectacular. Six Indian-standard silver drachmas were discovered at Ai-Khanoum in 1970, which depict Hindu deities. These coins, discovered on the 3rd of October 1970 hidden in a pilgrim’s water-vessel in a room of the administrative quarter of the Greco-Bactrian city of Ai-Khanoum, are key to the understanding of the evolution of Vaisnava imagery in India.




SOURCES : Wikipedia, HellenicaWorld

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